TY - JOUR
T1 - Aeroacoustic analysis of oboe reeds with compressible direct numerical simulation
AU - Nakahara, Yuki
AU - Sumita, Rei
AU - Tabata, Ryoya
AU - Iwagami, Sho
AU - Nanri, Takeshi
AU - Kobayashi, Taizo
AU - Hattori, Yuji
AU - Takahashi, Kin'ya
N1 - Publisher Copyright:
© ICA 2022.All rights reserved
PY - 2022
Y1 - 2022
N2 - A two-dimensional model of an oboe reed is studied numerically with a direct numerical simulation (DNS) of the compressible Navier-Stokes equations to investigate the sound generation mechanism from the viewpoint of aeroacoustics. The numerical tool is extremely accurate due to the smallest mesh size on the order of micrometers and successfully reproduces the details of fluid motion and acoustic vibrations inside and outside the reed. Particular attention is paid to the effect of reed vibration on the sound generation mechanism. When the reeds are fixed and a periodically varying flow is injected through the fixed reed slit, an aerodynamics sound created inside the reeds is an almost monotone including a few overtones. On the other hand, when a flow is injected through periodically vibrating reeds from an oral cavity, more overtone components are observed and the pressure waveforms are similar to those observed in the experiment. This indicates that the richness of the overtones of the double-reed instrument is mainly attributed to the aerodynamic sound created by the flow injected through vibrating reeds and the bore, a linear resonator, just enhances characteristics of the instrument, e.g., formant.
AB - A two-dimensional model of an oboe reed is studied numerically with a direct numerical simulation (DNS) of the compressible Navier-Stokes equations to investigate the sound generation mechanism from the viewpoint of aeroacoustics. The numerical tool is extremely accurate due to the smallest mesh size on the order of micrometers and successfully reproduces the details of fluid motion and acoustic vibrations inside and outside the reed. Particular attention is paid to the effect of reed vibration on the sound generation mechanism. When the reeds are fixed and a periodically varying flow is injected through the fixed reed slit, an aerodynamics sound created inside the reeds is an almost monotone including a few overtones. On the other hand, when a flow is injected through periodically vibrating reeds from an oral cavity, more overtone components are observed and the pressure waveforms are similar to those observed in the experiment. This indicates that the richness of the overtones of the double-reed instrument is mainly attributed to the aerodynamic sound created by the flow injected through vibrating reeds and the bore, a linear resonator, just enhances characteristics of the instrument, e.g., formant.
KW - DNS
KW - Double reed
KW - oboe
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M3 - Conference article
AN - SCOPUS:85162291661
SN - 2226-7808
JO - Proceedings of the International Congress on Acoustics
JF - Proceedings of the International Congress on Acoustics
T2 - 24th International Congress on Acoustics, ICA 2022
Y2 - 24 October 2022 through 28 October 2022
ER -